O papel da edição na construção do gosto literário

Authors

  • Isabel Garcez Universidade de Lisboa

Keywords:

Edition, Cultural mediation, Literary taste

Abstract

The argument that will sustain this part of the course work that only published literary works (made public) have social existence principle. So, try to understand the meaning of the editing process, the act of turning a novel into a work edict, that is, a work available to be received. This process entails undeniable social, cultural and ideological implications, but we will address only the topic of the construction of literary taste and responsibility held by respective editors and publishers, as cultural mediators that enable the existence of a range of works that participate decisively in the construction of prevailing literary taste. The figure editor studied in this work belongs solely to the private business sector and therefore does not contemplate public bodies that perform the same function.

References

BOURDIEU, Pierre. O Poder Simbólico, Lisboa e Rio de Janeiro: Difel e Bertrand, 1989.

DELEUZE, Gilles e GUATTARI, Felix. Mil Planaltos. Capitalismo e Esquizofrenia 2, Lisboa: Assírio & Alvim, 2008.

JAUSS, Hans Robert. A Literatura como Provocação, Lisboa: Vega, 1993.

LEWIN, Roger. Complexidade. A vida no limiar do caos, Lisboa: Caminho, 2004.

SERRES, Michel. Ramos, Almada: Edições Piaget, 2005.

Published

2014-10-01

How to Cite

Garcez, I. (2014). O papel da edição na construção do gosto literário. evista ozes os ales: Publicações cadêmicas, 3(6), 9. etrieved from https://revistas.ufvjm.edu.br/vozes/article/view/882