Em busca da experiência completa: revisitando a adaptação por meio da narrativa transmídia
Keywords:
Transmedia storytelling, Transmediality, Adaptations. FranchisesAbstract
For some years now, a trend has been observed in contemporary productions – including adaptations – of engaging in a network where the story unfolds across multiple platforms and various media converge and intertwine. This new narrative condition is called transmedia storytelling. As transmedia storytelling is incorporated into adaptation, a break with traditional media transposition processes can be observed. This article presents doctoral research on the concept and role of adaptation in contemporary productions and the new logic of production and distribution when transmedia storytelling is present, resulting in other forms of circulation, marketing, and consumption of cultural products.
References
BLUESTONE, George. Novels into Film: The Metamorphosis of Fiction into Cinema. Berkeley and Los Angeles, CA: University of California Press, 1966.
CARTMELL, Deborah ; WHELEHAN, Imelda (ed.). Adaptations : From Text to Screen, Screen to Text. New York : Routledge, 1999.
CHATMAN, Seymour. "What Novels Can Do That Films Can't (and Vice Versa)". In: MAST, Gerald; COHEN, Marshall; BRAUDY, Leo. Film Theory and Criticism. New York: Oxford University Press, 1992.
CHRISTIANSEN, Hans-Christian. “Comics and Films: A Narrative Perspective.” Comics and Culture: Analytical and Theoretical Approaches to Comics. Ed. Anne Magnussen e Hans-Christian Christiansen. Museum Tusculanum Press, 2000. p. 107-21.
CLÜVER, Claus. “Estudos Interartes: Orientação Crítica”. Trad. Yun Jung Im e Claus Clüver. Literatura Comparada: Os Novos Paradigmas. Actas do II Congresso da APLC. Ed. Margarida L. Losa, Isménia de Sousa, e Gonçalo Vilas-Boas. Porto: Associação Portuguesa de Literatura Comparada, 1996. p. 631-640.
DINIZ, Thaïs. “A New Approach to the Study of Translation”. Cadernos de Tradução, Florianópolis, v. 2, n. 12, p. 29-54, 2003.
FIGUEIREDO, Camila. Hollywood Goes Graphic: The Intermedial Transposition of Graphic Novels to Films. Dissertação. Mestrado em Literatura Inglesa. Programa de Pós-Graduação em Estudos Literários. Universidade Federal de Minas Gerais, 2010.
GAUDREAULT, André; MARION, Philippe. “Transécriture and Narrative Mediatics:
The Stakes of Intermediality”. Robert Stam e Alessandra Raengo (Eds.) A Companion to Literature and Film. Oxford: Blackwell Publishing, 2004. p. 58-70.
HUTCHEON, Linda. A Theory of Adaptation. New York: Routledge, 2006.
JENKINS, Henry. Cultura da Convergência. 2. ed. Trad. Susana Alexandria. São Paulo: Aleph, 2009.
MCFARLANE, Brian. Novel to Film: An Introduction to the Theory of Adaptation. London: Clarendon Press, 1996.
MOSS, Joyce ; WILSON, George. From Page to Screen: Children's and Young Adult Books on Film and Video, Detroit: Gale Research, 1992.
MURRAY, Janet H. Hamlet no Holodeck: o futuro da narrativa no ciberespaço. Trad. Elissa Khoury Daher e Marcelo Fernandez Cuzziol. São Paulo: Editora UNESP, 2003.
MURRAY, Simone. The Adaptation Industry: The Cultural Economy of Contemporary Literary Adaptation. New York: Routledge, 2012.
RAJEWSKY, Irina O. “Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality”. Intermédialités: histoire et théorie des arts, des lettres et des techniques/Intermedialities: history and theory of the arts, literature and techniques. Montréal, n. 6, p. 43-64, 2005.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
A Revista proporciona acesso público - Open Access - a todo seu conteúdo protegidos pela Licença Creative Commons (CC-BY).
